Zach Blas is an artist and writer whose work engages technology, queerness, and politics. Currently, he is an Assistant Professor in the Department of Art at the University at Buffalo.
Blas has exhibited and lectured internationally, most recently at Museo Universitario Arte Contemporáneo, Mexico City; Museum of Modern Art in Warsaw; the 2014 Museum of Arts and Design Biennial, New York; the 2014 Dakar Bienniale; Institute of Contemporary Arts, London; Queer/Art/Film LA; quartier21, MuseumsQuartier Wien; Center for 21st Century Studies, University of Wisconsin-Milwaukee; transmediale, Berlin; and Foundation for Art and Creative Technology, Liverpool. In 2013-14, he was a resident at Eyebeam in New York City, The White Building in London, and The Moving Museum in Istanbul.
Currently, Blas is producing a body of artwork that responds to technological control and refusals of political visibility through tactics of escape, disappearance, illegibility, and opacity. One project, Facial Weaponization Suite, produces “collective masks” in community-based workshops that cannot be detected as human faces by biometric facial recognition technologies. Another, Contra-Internet, explores the aesthetic and political subversions of the internet and other neoliberal, networked digital technologies.
Blas is also producing two books, Escaping the Face, an artist monograph of recent works to be published by Rhizome at the New Museum, and Informatic Opacity: Biometric Facial Recognition and the Aesthetics and Politics of Defacement (solicited by Duke University Press), a theoretical study that considers biometric facial recognition as an emerging form of global governance alongside aesthetico-political refusals of recognition, such as masked protest.